That principle is tied to the idea of leaving fluff out of short stories, something screenwriter Patrick Aison took to heart while crafting the impressive script.Įvery blockbuster doesn’t need to be bloated with subplots, redundant characters, or convoluted mythology elements. Prey is filled with Chekhov’s guns - elements that appear to be unimportant at first but completely define how key scenes play out later.
And of course, man is the most enticing prey. We simply see a Predator arriving on Earth and learning about the most dangerous animals he can hunt. The first 40 minutes largely play out like a straightforward survival, coming-of-age film. When a Predator visits Earth for the first time, a vicious game of cat and mouse begins between the two and plays over the course of an impressive monster feature that harnesses the spark of the first two films and then does its own thing both narratively and formally.Įven though Prey’s script is one of the sharpest and tightest for an action-adventure film in a while, Naru shares a fair amount of screentime with other members of her tribe, including her brother Taabe, played by newcomer Dakota Beavers, and mother Aruka (Michelle Thrush). Set in the Great Plains of North America in 1719, the film follows Naru (Amber Midthunder), a young Comanche woman trying to prove herself as a worthy warrior and hunter. Related: Exclusive: The hunter becomes the hunted in Marvel Comics 'Predator #1' relaunch Unsurprisingly, the cat got out of the bag before shooting even began, but that didn’t make its premise any less interesting for fans.
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"The Supreme Being Teaches Spider-Man How to Be in Love" Billboard 200, selling about 21,000 copies in its first week. Īdditionally, the digital version was made available for pre-order on iTunes and does contain "The Theme from Spider-Man" by The Flaming Lips.įollowing its release, the soundtrack debuted at number 33 on the U.S.
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The special edition of the album is available only on the soundtrack's website, and it contains a bonus track (the " Theme from Spider-Man" covered by The Flaming Lips), a 32-page embossed hardcover book featuring movie stills and all five collectable movie cards inside 8"x8" box made from a replica of the rubberized black Spider-Man suit. The entire concept of this soundtrack is that each song was written (or recorded in the case of The Flaming Lips) for the soundtrack exclusively, with the exception of Chubby Checker's 1960 hit " The Twist". Unlike the first two Spider-Man soundtrack releases, the album does not feature any of the film's score by Christopher Young. The soundtrack's website allows the user to listen to the first song from the soundtrack. A digital edition of the album is also in the planning stages, with the release date to be announced. A special edition version is available only on the soundtrack's official website.
Music from and Inspired by Spider-Man 3 is a soundtrack album to Sam Raimi's 2007 film Spider-Man 3.
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